DRES13 / INTERVIEW

Currently I live and work in Orlando, Florida. By day I work as an art director at an advertising agency, and freelance as an illustrator/designer during off hours. I also occasionally enjoy getting my work up on the street. In the future I would like to be able to focus on illustration and make a living solely on my own work. Possibly avoid the advertising industry altogether.

CLAIRE ROSEN / INTERVIEW

Claire Rosen is an american photographer and video artist blending a fine art sensibility with commercial work to create whimsical imagery inspired by fairy tales, fables, and other children's stories. Her fashion, fine art and advertising work touch on the bizarre and unusual with the themes of vintage circus, burlesque, magic, curiosities and natural science interwoven throughout the images. Rosen is drawn both to beauty and darkness as it exists in life, and her images explore this duality.

ASBJØRN SKOU / SHOULD THE LIGHT NOT TAKE US / 03.02.-16.03.12

The Exhibition is an investigation of parapsychology, ideology and crisis, through drawings, objects and texts.

WEST BERLIN GALLERY

Founded in 2009 by Elodie Bellanger & Guillaume Trotin, West Berlin Gallery specializes in street art & graffiti. Being located at the former border between Eastern and Western Berlin, the gallery takes its name from its location. The birth of graffiti & street art in Berlin also occurred in Western Berlin in the late 1970s, which was another inspiration behind the gallery’s name.

GLENN MOUST / PORTFOLIO

There is a kind of desperation deep inside the artist Glen Moust's images. On the surface are "just" fine tuned collages of words, newspapers, objects, pictures, painting. They are the faded, dull side, with the subdued white pigmented colors, and closes in on itself with the slightly blurred word pieces and objects. They hide in the layers of the unknown image parts of old newspapers and papers on fragments of words and concepts. They are built up of thick layers of paint in which the objects sticking, painting almost have overcome the artefacts, blurring them, but which also had its scratches and bumps. Times have been tough on these works. They are images of wear of used contexts of the past. Just not something that can provoke an exhibition. But make no mistake, this is not for the faint hearted!